If I were a girl in a book
By Pratika Singh
If I were a girl in a book,
I would not belong to people.
I would belong to nature—
to dusty old libraries and dog-eared books,
to quiet rooftops, paint-stained brushes,
to dancing alone,
to music leaking through windows blurred by rain.
If I were a girl in a book,
authors wouldn’t know where to place me.
Too quiet to be dramatic.
Too intense to be simple.
So they’d describe the spaces around me instead—
the way light falls on my hands,
the way I pause before speaking—
and leave the rest for the reader to figure out.
If I were a girl in a book,
I would want to roam the world—
not the famous places everyone rushes to,
but the forgotten corners people ignore
because living slowly terrifies them,
because stepping away from home
feels like a risk they’re not ready to take.
If I were a girl in a book,
I’d get attached to small, non-living things—
a handwritten letter folded too many times,
a bouquet drying quietly on a shelf,
old journals that remember me
when people don’t.
If I were a girl in a book,
I would write in my diary
when the world gets too loud,
or when I need to reassure myself
that I didn’t hurt someone—
intentionally or unintentionally.
Writing would be how I stay honest,
how I survive silence.
I wouldn’t be the girl everyone falls in love with immediately.
I’d be the one they notice later.
On the second read.
On a lonely night.
On a page they didn’t expect to remember.
Some readers would skim my chapters.
Some would call me distant, overthinking, too much.
But on the second read—
when life has softened them a little—
they’d notice me.
They’d recognize the girl who feels too deeply,
gets excited too fast,
loves without armor.
If I were a girl in a book,
I wouldn’t be flawless or fully understood.
I’d be the kind of character
people return to when they finally learn
how to read between the lines.
And the ending?
No neat closure. No final lesson.
If I were a girl in a book,
I’d walk out of the last page unfinished.
Still becoming.
Still wondering.
Still real.
And somewhere, a reader would close the book slowly and think,
She feels familiar.
Without realizing it’s because
they carry a piece of her too.