Poems About Change
Curated by the Writory editorial team. Updated September 2026.
Quick answer: Read 13 classic poems about change and impermanence, from Shelley and Hopkins to Longfellow and Dickinson. Full texts with notes on what each lets go of.
Nothing holds still, and poets have always known it. The poems here watch the world turn: seasons giving way, faces altering, whole selves left behind. Some grieve the change and some welcome it, but none pretend it can be stopped.
Shelley says nothing endures but mutability itself. Hopkins watches nature burn and renew in the same breath. Longfellow and Emerson each weigh what a year of loss and gain leaves in the hand.
These are poems for any threshold you happen to be standing on.
Read autumn poems about letting go
Mutability
Percy Bysshe Shelley · Romantic
The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world's delight?
Lightning that mocks the night,
Brief even as bright.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.
Whilst skies are blue and bright,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou--and from thy sleep
Then wake to weep.
Shelley's coldest, clearest verdict: we are clouds, we are broken lutes, and nothing endures but change.
Sonnet 123: No, Time, thou shalt not boast that I do change
William Shakespeare · Elizabethan
No, Time, thou shalt not boast that I do change:
Thy pyramids built up with newer might
To me are nothing novel, nothing strange;
They are but dressings of a former sight.
Our dates are brief, and therefore we admire
What thou dost foist upon us that is old;
And rather make them born to our desire
Than think that we before have heard them told.
Thy registers and thee I both defy,
Not wondering at the present nor the past,
For thy records and what we see doth lie,
Made more or less by thy continual haste.
This I do vow and this shall ever be;
I will be true despite thy scythe and thee.
Shakespeare stares down Time and swears one thing will not alter, whatever the calendar does.
Sonnet 07 - The face of all the world is changed, I think
Elizabeth Barrett Browning · Victorian
The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this . . . this lute and song . . . loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.
One love arrives and the whole world tilts on its axis, and nothing looks the same again.
That Nature Is A Heraclitean Fire And Of The Comfort Of The Resurrection
Gerard Manley Hopkins · Victorian
Cloud-puffball, torn tufts, tossed pillows ' flaunt forth, then chevy on an air-
built thoroughfare: heaven-roysterers, in gay-gangs ' they throng; they glitter in marches.
Down roughcast, down dazzling whitewash, ' wherever an elm arches,
Shivelights and shadowtackle in long ' lashes lace, lance, and pair.
Delightfully the bright wind boisterous ' ropes, wrestles, beats earth bare
Of yestertempest's creases; in pool and rut peel parches
Squandering ooze to squeezed ' dough, crust, dust; stanches, starches
Squadroned masks and manmarks ' treadmire toil there
Footfretted in it. Million-fuelèd, ' nature's bonfire burns on.
But quench her bonniest, dearest ' to her, her clearest-selvèd spark
Man, how fast his firedint, ' his mark on mind, is gone!
Both are in an unfathomable, all is in an enormous dark
Drowned. O pity and indig ' nation! Manshape, that shone
Sheer off, disseveral, a star, ' death blots black out; nor mark
Is any of him at all so stark
But vastness blurs and time ' beats level. Enough! the Resurrection,
A heart's-clarion! Away grief's gasping, ' joyless days, dejection.
Across my foundering deck shone
A beacon, an eternal beam. ' Flesh fade, and mortal trash
Fall to the residuary worm; ' world's wildfire, leave but ash:
In a flash, at a trumpet crash,
I am all at once what Christ is, ' since he was what I am, and
This Jack, joke, poor potsherd, ' patch, matchwood, immortal diamond,
Is immortal diamond.
Everything burns away in the great bonfire of nature, and then Hopkins pulls one bright thing out of the ash.
Loss And Gain
Henry Wadsworth Longfellow · American
When I compare
What I have lost with what I have gained,
What I have missed with what attained,
Little room do I find for pride.
I am aware
How many days have been idly spent;
How like an arrow the good intent
Has fallen short or been turned aside.
But who shall dare
To measure loss and gain in this wise?
Defeat may be victory in disguise;
The lowest ebb is the turn of the tide.
Loss And Gain
Ralph Waldo Emerson · American
Virtue runs before the muse
And defies her skill,
She is rapt, and doth refuse
To wait a painter's will.
Star-adoring, occupied,
Virtue cannot bend her,
Just to please a poet's pride,
To parade her splendor.
The bard must be with good intent
No more his, but hers,
Throw away his pen and paint,
Kneel with worshippers.
Then, perchance, a sunny ray
From the heaven of fire,
His lost tools may over-pay,
And better his desire.
The Leaves like Women interchange
Emily Dickinson · American
The Leaves like Women interchange
Exclusive Confidence --
Somewhat of nods and somewhat
Portentous inference.
The Parties in both cases
Enjoining secrecy --
Inviolable compact
To notoriety.
Her Sweet turn to leave the Homestead
Emily Dickinson · American
Her Sweet turn to leave the Homestead
Came the Darker Way --
Carriages -- Be Sure -- and Guests -- too --
But for Holiday
'Tis more pitiful Endeavor
Than did Loaded Sea
O'er the Curls attempt to caper
It had cast away --
Never Bride had such Assembling --
Never kinsmen kneeled
To salute so fair a Forehead --
Garland be indeed --
Fitter Feet -- of Her before us --
Than whatever Brow
Art of Snow -- or Trick of Lily
Possibly bestow
Of Her Father -- Whoso ask Her --
He shall seek as high
As the Palm -- that serve the Desert --
To obtain the Sky --
Distance -- be Her only Motion --
If 'tis Nay -- or Yes --
Acquiescence -- or Demurral --
Whosoever guess --
He -- must pass the Crystal Angle
That obscure Her face --
He -- must have achieved in person
Equal Paradise --
The Old Year
John Clare · Romantic
The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.
All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall--
A guest to every heart's desire,
And now he's nought at all.
Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.
Clare watches the old year die like a familiar guest who has quietly slipped out the door.
Now is Past
John Clare · Romantic
Now_ is past--the happynow
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
Thenow_ since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.
Now_ is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.
Now_ is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.
The Thread of Life
Christina Rossetti · Victorian
I
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?--
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
II
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
III
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanitive;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
he bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
As the Time Draws Nigh.
Walt Whitman · American
1
AS the time draws nigh, glooming, a cloud,
A dread beyond, of I know not what, darkens me.
I shall go forth,
I shall traverse The States awhile--but I cannot tell whither or how long;
Perhaps soon, some day or night while I am singing, my voice will suddenly cease.
2
O book, O chants! must all then amount to but this?
Must we barely arrive at this beginning of us?... And yet it is enough, O soul!
O soul! we have positively appear’d--that is enough.
My life closed twice before its close --
Emily Dickinson · American
My life closed twice before its close --
It yet remains to see
If Immortality unveil
A third event to me
So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
Two great partings have already schooled her, and Dickinson waits, wary, for whatever change the third will bring.
Frequently Asked Questions
What is a famous poem about change?
Percy Bysshe Shelley's 'Mutability' is the classic statement that nothing lasts but change itself. Shakespeare's Sonnet 123 and Hopkins's 'That Nature Is a Heraclitean Fire' are two more that face it head-on.
Are there hopeful poems about change?
Yes. Longfellow's and Emerson's poems both titled 'Loss and Gain' weigh what change gives against what it takes, and Hopkins ends his in open resurrection.
Which poets wrote about change?
Percy Bysshe Shelley, Gerard Manley Hopkins, Henry Wadsworth Longfellow, John Clare and Emily Dickinson all wrote about impermanence and transition. This page gathers their strongest work on it.
How to write a poem about change
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