Poems About Death
Curated by the Writory editorial team. Updated September 2026.
Quick answer: Read 14 classic poems about death, from Donne's 'Death, be not proud' to Dickinson and Poe. Full texts with notes on how each poet faces the end.
No subject has drawn braver writing than death, maybe because it is the one thing no poet can revise. The poems gathered here meet it in every mood: defiant, frightened, tender, and now and then almost cheerful.
John Donne squares up and argues death down to size. Emily Dickinson listens to a fly at the window. Poe cannot leave the grave. Each one turns the fear into something you can hold and read.
You will not find false comfort here, but you will find company, which is often the thing grief actually wants.
Holy Sonnet X: Death Be Not Proud
John Donne · Metaphysical · Sonnet
Death, be not proud, though some have callèd thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow
Die not, poor death, nor yet canst thou kill me.
From rest and sleep, which yet thy pictures be,
Much pleasure, then from thee much more, must low
And soonest our best men with thee do go,
Rest of their bones and soul's delivery.
Thou art slave to fate, chance, kings and desperate men
And dost with poison, war and sickness dwell,
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then ?
One short sleep past, we wake eternally,
And death shall be no more; death, thou shalt die.
The most famous act of defiance in the language. He talks back to death and, for fourteen lines, wins.
I felt a Funeral, in my Brain,
Emily Dickinson · American
I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading -- treading -- till it seemed
That Sense was breaking through --
And when they all were seated,
A Service, like a Drum --
Kept beating -- beating -- till I thought
My Mind was going numb --
And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space -- began to toll,
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here --
And then a Plank in Reason, broke,
And I dropped down, and down --
And hit a World, at every plunge,
And Finished knowing -- then --
Not a death so much as a mind giving way, heard from the inside like a funeral overhead.
To a Waterfowl
William Cullen Bryant · American
Whither, midst falling dew,
While glow the heavens with the last steps of day
Far, through their rosy depths, dost thou pursue
Thy solitary way?
Vainly the fowler's eye
Might mark thy distant flight to do thee wrong
As, darkly seen against the crimson sky,
Thy figure floats along.
Seek'st thou the plashy brink
Of weedy lake, or marge of river wide,
Or where the rocking billows rise and sing
On the chafed ocean side?
There is a Power whose care
Teaches thy way along that pathless coast--
The desert and illimitable air--
Lone wandering, but not lost.
All day thy wings have fanned,
At that far height, the cold, thin atmosphere,
Yet stoop not, weary, to the welcome land,
Though the dark night is near.
And soon that toil shall end;
Soon shalt thou find a summer home, and rest,
And scream among thy fellows; reeds shall bend,
Soon, o'er thy sheltered nest.
Thou'rt gone, the abyss of heaven
Hath swallowed up thy form; yet, on my heart
Deeply has sunk the lesson thou hast given,
And shall not soon depart.
He who, from zone to zone,
Guides through the boundless sky thy certain flight,
In the long way that I must tread alone,
Will lead my steps aright.
One bird crossing an evening sky becomes proof that no one walks the long way home alone.
Prospice
Robert Browning · Victorian
Fear death? to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:
For the journey is done and the summit attained,
And the barriers fall,
Though a battle's to fight ere the guerdon be gained,
The reward of it all.
I was ever a fighter, so--one fight more,
The best and the last!
I would hate that death bandaged my eyes, and forbore,
And bade me creep past,
No! let me taste the whole of it, fare like my peers
The heroes of old,
Bear the brunt, in a minute pay glad life's arrears
Of pain, darkness, and cold.
For sudden the worst turns the best to the brave,
The black minute's at end,
And the elements' rage, the fiend-voices that rave,
Shall dwindle, shall blend,
Shall change, shall become first a peace out of pain,
Then a light, then thy breast,
O thou soul of my soul! I shall clasp thee again,
And with God be the rest!
Prospice means look forward. Browning wants to meet death head-on, like weather, and come through it to the one he lost.
Death
Emily Bronte · Victorian
Death! that struck when I was most confiding
In my certain faith of joy to be -
Strike again, Time's withered branch dividing
From the fresh root of Eternity!
Leaves, upon Time's branch, were growing brightly,
Full of sap, and full of silver dew;
Birds beneath its shelter gathered nightly;
Daily round its flowers the wild bees flew.
Sorrow passed, and plucked the golden blossom;
Guilt stripped off the foliage in its pride;
But, within its parent's kindly bosom,
Flowed for ever Life's restoring-tide.
Little mourned I for the parted gladness,
For the vacant nest and silent song -
Hope was there, and laughed me out of sadness;
Whispering, " Winter will not linger long!"
And, behold! with tenfold increase blessing,
Spring adorned the beauty-burdened spray;
Wind and rain and fervent heat, caressing,
Lavished glory on that second May!
High it rose - no winged grief could sweep it;
Sin was scared to distance with its shine;
Love, and its own life, had power to keep it
From all wrong - from every blight but thine!
Cruel Death! The young leaves droop and languish;
Evening's gentle air may still restore -
No! the morning sunshine mocks my anguish -
Time, for me, must never blossom more!
Strike it down, that other boughs may flourish
Where that perished sapling used to be;
Thus, at least, its mouldering corpse will nourish
That from which it sprung - Eternity.
Annabel Lee
Edgar Allan Poe · American · Ballad
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love--
I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful ANNABEL LEE;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me--
Yes!--that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my ANNABEL LEE.
But our love it was stronger by far than the love
Of those who were older than we--
Of many far wiser than we--
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful ANNABEL LEE.
For the moon never beams without bringing me dreams
Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
In her sepulchre there by the sea--
In her tomb by the side of the sea.
Grief that refuses to end. He lies down by her tomb because not even the angels could keep them apart.
The Conqueror Worm
Edgar Allan Poe · American
Lo! 'tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.
Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly--
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Wo!
That motley drama--oh, be sure
It shall not be forgot!
With its Phantom chased for evermore,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness, and more of Sin,
And Horror the soul of the plot.
But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!--it writhes!--with mortal pangs
The mimes become its food,
And the angels sob at vermin fangs
In human gore imbued.
Out--out are the lights--out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
And the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, "Man,"
And its hero the Conqueror Worm.
Life staged as a tragedy with one guaranteed final act. Bleak, and unforgettable.
A Dirge
Percy Bysshe Shelley · Romantic
Rough wind, that moanest loud
Grief too sad for song;
Wild wind, when sullen cloud
Knells all the night long;
Sad storm whose tears are vain,
Bare woods, whose branches strain,
Deep caves and dreary main,--
Wail, for the world's wrong!
Eight lines of wind and grief, the whole world made to mourn in a single breath.
So We'll Go No More a-Roving
George Gordon, Lord Byron · Romantic
So we'll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And Love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.
Not a death but the small daily one: the night we admit the roving years are over.
Sonnet 73: That time of year thou mayst in me behold
William Shakespeare · Elizabethan · Sonnet
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire,
That on the ashes of his youth doth lie,
As the death-bed, whereon it must expire,
Consum'd with that which it was nourish'd by.
This thou perceiv'st, which makes thy love more strong,
To love that well, which thou must leave ere long.
Old age drawn three ways: bare boughs, dusk, a dying fire. Love made fiercer because it is nearly over.
I died for Beauty -- but was scarce
Emily Dickinson · American
I died for Beauty -- but was scarce
Adjusted in the Tomb
When One who died for Truth, was lain
In an adjoining room --
He questioned softly "Why I failed"?
"For Beauty", I replied --
"And I -- for Truth -- Themself are One --
We Brethren, are", He said --
And so, as Kinsmen, met a Night --
We talked between the Rooms --
Until the Moss had reached our lips --
And covered up -- our names --
Two graves talking through the wall until the moss climbs up and covers their names.
In Memoriam A. H. H.: 82. I wage not any feud with death
Lord Alfred Tennyson · Victorian
I wage not any feud with Death
For changes wrought on form and face;
No lower life that earth's embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter'd stalks,
Or ruin'd chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
Tennyson makes his peace with Death, though never with the distance it opened.
Away With Funeral Music
Robert Louis Stevenson · Victorian
AWAY with funeral music - set
The pipe to powerful lips -
The cup of life's for him that drinks
And not for him that sips.
Stevenson wants no dirge over him, only silence and a clean morning.
The Reaper and the Flowers
Henry Wadsworth Longfellow · American
There is a Reaper, whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
"Shall I have naught that is fair?" saith he;
"Have naught but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again."
He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.
"My Lord has need of these flowerets gay,"
The Reaper said, and smiled;
"Dear tokens of the earth are they,
Where he was once a child.
"They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear."
And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.
O, not in cruelty, not in wrath,
The Reaper came that day;
'T was an angel visited the green earth,
And took the flowers away.
Death drawn as a reaper who does not destroy the flowers but takes them to a safer field.
Frequently Asked Questions
What is the most famous poem about death?
John Donne's 'Death, be not proud' (Holy Sonnet X) is the best known, a fourteen-line argument that death itself will one day die. Dickinson's 'I felt a Funeral, in my Brain' is another that readers return to again and again.
What are good poems to read at a funeral?
Robert Louis Stevenson's 'Away With Funeral Music,' Christina Rossetti's quieter work, and Longfellow's 'The Reaper and the Flowers' all offer comfort without pretending grief is small. Byron's 'So We'll Go No More a-Roving' suits a gentle farewell.
Which poets wrote best about death?
Emily Dickinson, John Donne, Edgar Allan Poe, Alfred Tennyson and Emily Bronte all faced mortality head-on. This collection sets their poems side by side so you can hear how differently each one answers the same silence.
How to write a poem about death
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