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National Honour · August 2026

🇮🇳

Kahaan Modi

🇮🇳 India · leading poet of the nation's field


“Three Fires”

99out of 100
Creativity23/25
Emotional Impact22/25
Structure17/20
Language18/20
Theme10/10

Three Fires The cook arrives at seven, before the house has opinions. He brings his own weather in with him. Cumin hits hot ghee and cracks open like rain starting on a tin roof three streets away. Onions go glassy, then gold, then further still, down to a brown he learned from a man who learned it from a man, a colour handed down like land. Dal mutters on the back ring. The cooker gathers its grievance all morning and lets it out in one long operatic scream, and this house is so deaf to it you could set off a siren in the hall and somebody would ask you to move, you’re blocking the counter. Rotis leave the tawa puffed like small lungs, one after another after another, a bread factory running on two hands, and nobody has counted them in forty years because nobody has ever, once, reached the end of the stack. By eleven Mummy claims the far counter like territory. Olive oil in a bottle with an Italian label, oregano in a jar that has crossed nine time zones in her suitcase, smuggled home like contraband. Thai curry on Tuesday. Pesto on Friday. A lasagne nobody asked for and everybody finishes, the dish scraped down to the ceramic, bone clean. She tastes with a fresh spoon every time, a surgeon at her own stove. The recipe glows on a screen propped against the sugar tin. Nani watches all of it the way you watch weather in a city you will never visit. 1 of 3 Three Fires Nani cooks nothing that was not born in this country. No shortcuts. No substitutions. No butter where ghee belongs, not once, not ever, not if the house were burning. Her recipes are older than the marble she stands on, older than the building, older than the road outside, carried in the body like a second spine. Barfi. Mysore pak. Ladoo rolled in a palm that measures truer than any cup ever manufactured. She has never owned a scale. She has never needed one. She knows the sugar syrup by ear. One thread, two thread, she can hear the difference from the doorway, over the television, over all of us. The besan turns in the kadhai for forty minutes because forty is what it takes, and she has the time, she has always had the time, she has more time than the rest of us put together. Ghee goes in three times. It has gone in three times since before the war. The smell climbs into your clothes and refuses to leave, survives the wash, survives the flight, sits folded in a drawer in another country for a decade, and then one afternoon a stranger’s kitchen ambushes you with it and you have to sit down on someone else’s stairs. Nana runs the nation from the corner chair. Thumb moving like a metronome, jaw set like a gate, volume climbing, wholly certain the republic goes down the minute he blinks. He is the only thing holding it up. He has told us. He fires a headline into the room like a flare. Nobody answers. He fires it again, louder, and the ceiling fan turns its face away. 2 of 3 Three Fires Three meals a day. From nothing. Every day. For a lifetime. No snacking. No packets. Nothing cold has ever touched this table. Cold is a rumour from other people’s houses. If you are hungry at four you are simply early for five, and five is not a suggestion, it is load-bearing. The cousins land from America with jet lag and theories, with words like portion and grazing and intermittent. One of them asks, very gently, if we could just eat later. It is not refused. It is not even heard. The question dissolves in the steam before it reaches anyone. And all of us in one room, all of the time, forever. Hip against hip at the counter, reaching straight across each other, tasting from a spoon that has been in six mouths already, three languages stacked on top of each other like plates, somebody’s elbow filed permanently under somebody’s ribs, somebody sent out for coriander and back inside the minute. A house with a dozen doors and exactly one place anyone stands. Steam fogging the window into a white page. The exhaust fan ticking like a clock with a limp. Three fires. Three countries. One stove. And a woman at the centre of all of it who has not, in seventy years, put a single thing on a table that was not still warm enough to hurt. 3 of 3

From the judges

A vivid, funny and quietly devastating portrait of a multigenerational kitchen, strong enough to contend for a prize despite mild sprawl.

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Kahaan Modi retains all rights · published with the poet's byline as a National Honour